Participation begins within the Museum
The Museum redevelopment plans being discussed. Image courtesy of National Museum of Wales |
At St Fagans:
National History Museum we have recently been given the good news that we have
funding for a major redevelopment of the Museum. The overall goal is to transform St Fagans into a world-class
national museum of history that is driven by the needs of its users [see image
above] . With funding from the Heritage Lottery Grant and Welsh Government, the
work of constructing a new gallery and refurbishing the existing galleries will
start next year. Both funders emphasise the importance of participation and
listening to our users. The question is: How do we reconcile this with the
usual pattern of front-end, formative and summative evaluation? If we are to place users’ needs at the heart
of the museum’s work, surely we must develop more adaptive and participative ways
of carrying out evaluation.
Sharing with staff
Most museums are
practised at producing visitor studies, reports and gathering data about visitors
and non-visitors. Very rarely, however, are their findings shared and discussed
across the whole range of staff, let alone made relevant to the work of
individuals. We believe that participation begins ‘within’ the museum and at St
Fagans, we have tried to do this by involving over 70 members of staff in the evaluation
and consultation processes of preparing our plans for redevelopment. Staff trained
as scribes and facilitators for focus group discussions, and conducted surveys
to track and map current visitor behaviour. This may not be as scientifically rigorous as
work undertaken by professional evaluators, but it has exposed a wide range of
staff to first-hand interaction with visitors and audiences we find hard to
reach. This in turn has led to informed internal discussion about how we need
to move forward. The findings were perceived to be less unfairly critical than
reports produced by outsiders, yet harder to dismiss.
Sharing with other museums
Research reports
published online by museums such as Glasgow Museum and the Victoria and Albert Museum are a useful
source of information for practice that has worked well elsewhere. The majority,
however, are summative evaluations published long after the project is live,
and driven by the needs of funding bodies. Their purpose is mainly to persuade
funders of the success of projects and not necessarily to impact on present and
future practice. How is it that most museums, despite many years of evaluating their
work, are still producing fundamentally similar gallery displays and attract
the same types of visitors? Are we evaluating the wrong things?
One of the issues
is that there is little consistency of approach across the sector. The
methodologies used and the knowledge gained often resides with external audience
research companies and consultants. Comparing data can therefore be challenging.
It would be a real step forward if museums could find a way of working together
to find a common approach, share methods and standardise questions so that
research findings can be shared and inform the whole sector. Could a central place
be provided for all museums to store and post recent research that would avoid trawling
through numerous websites, blogs and publications?
Sharing with community partners
Our ambition at
St Fagans is to be a participatory museum on a national scale, providing
opportunities for all the diverse peoples of Wales to participate in creating
and sharing content. Our inspiration is the work of Nina Simon (www.participatorymuseum.org) who
defines such museums as a ‘multidirectional content experience, a platform that connects different
users who act as content creators, distributors, consumers, critics and
collaborators.’ There is very little evaluation of participatory
projects in the museum world. If museum objectives are changed by the participation
of users, then the process of evaluation needs to be ongoing and adaptive.
There are
potential partners in other organisations who already have expertise in this
area. Through our involvement in the Paul Hamlyn initiative, Our Museum: Communities and Museums as Active Partners,
we are already learning how to involve others in our decision making – to share
authority and ways of working with voluntary and other third sector
organisations who have much deeper experience of working with those we
traditionally find hard to reach. The lessons learned from Our Museum will inform work with our other
participatory forums, representing all our target audiences.
These will help
us to create a programme of evaluation, considering how we evaluate the success
and impact of the process as well as the product. We need to create measuring
techniques that are useful to both museum and community partners, which can be
implemented by in-house staff, volunteers and community partners. We are in
this together, hopefully for the long term.
This is not a strategy for the risk averse. We learn as much from failure as success. Both should be
shared honestly, as they happen, with our colleagues in other museums if we are
to create truly culturally
democratic museums and reduce inequalities in participation in the cultural
activities we provide. We are at the
start of the journey and you can follow our progress at http://www.museumwales.ac.uk.
Author | Nia Williams, Learning Manager | Nia.Williams@museumwales.ac.uk
St Fagans:
National History Museum
Amgueddfa Cymru-Museum Wales
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